Who of us hasn't at one time or another seriously considered a career in forgery?But if I can't sell my copies as high-priced forgeries and am instead forced to make endless cut-rate copies in a down Economy then hey, I'll take what I can get for the most part.

A suburb of Shenzhen in China, Dafen is an entire village of reproduction painters. Established by businessman Huang Jiang, it sprang up in the '90s and grew from about 300 to 8,000 artists producing massive quantities of paintings for the Chinese Domestic and Global Art markets. The villagers sidestep questions of copyright by (mostly) Oil Painting Reproduction that are older than 50 years. And by not masquerading them as authentic works.

Of course, the term 'sweatshop' is heavily loaded. Images of foreign slave labor, children toiling on industrial looms and the Triangle Shirtwaist fire spring instantly to mind. Does it apply in the case of the Dafen painting studios? Painters do "work long hours for very low pay", but the focus of the World Media regarding Dafen has been the public's insatiable appetite for cheap knock-offs, not the working conditions of the painters themselves.

According to Der Spiegel, 29 year old Dafen artist Wu Han Wu "receives the equivalent of €0.30 per copied painting. That means he earns between €100 ($128) and €300 ($385) a month -- barely enough to cover his living expenses and send a little money home. But he doesn't complain: "It's much better in a workshop like this one, without a schedule."Indeed, the article goes on to say that "the life Wu and his roommates live is not so different from that of the artists whose works they're copying, at least as far as their average day is concerned: They start painting around lunchtime and work until late at night."

We'd like to think of Art as being above Commerce, but everyone from the high-end galleries of Chelsea to the backrooms of Dafen is a slave to money. Dafen Artist Zao Xiaoyong alone estimates he's painted and sold more then 70,000 copies of Van Gogh, and the general estimate suggests that Dafen produces 60% of the World's oil paintings. That's a fascinating statistic, and signifies not only the Walmart-ization of Art production, but the deeply inherent desire of people to possess an 'original' oil painting. 'Painting is dead'? I don't think so.

There's also an attitude these days among people,that hard work is to be avoided at all costs and should in fact be made illegal. We're shocked when we hear of people who actually have to work for a living.

Related reading:Abstract Oil Paintings